The animated creativity of this episode was stunning. Fool on the Planet feature several different animation styles throughout the episode. It begins with what seems like a charcoal watercolor like painting. Then it moves to a sketch style that makes the episode feel unfinished. Finally, the episode transitions to a manga style, black and white with panels. The shifts between the various styles happen sometime between frames as well as scenes.
Ide “fights” Haruko in a abandoned pool, she dominates him, mocking his lack of strength. Ide’s relationship with Haruko is odd, it appears to be sexual on some level but never really progresses pass innuendo. Regardless, after she defeat him, she straddles him telling him that he “knows nothing.” Ide responds in kind telling her that “you don’t satisfy me!” This pisses Haruko off, meanwhile, Hidomi races to the roof and becomes jealous.
She weirdly absorbs Ide in a fit of rage, leaving behind a weird black human shaped rubber type thing. We learn that Hidomi’s mother is closing the cafe, seemingly abandoning any hope that her father will return. It appears that Haruko is working with “the Department of Interstellar Immigration,” and the weird amusement park is finally implemented. Draining the N.O. energy from the students to power a robot. They attack a “Medical Mechanica factory.”
Meanwhile, the rubber suit floats up into space where it’s sucked into a giant satellite and feed to a Canti-like dog by an elderly woman. This is similar to what occurred in the last episode of FLCL, the terminal dog ended up becoming a world destroying machine. Hidomi’s attacks Haruko in her new cyborg form. She chastises Haruko for being “just a girl in love.” Before Haruko can respond the sky turns red signalling the return of Atomsk. While, I enjoyed the animation change, I found it so distracting that I had to re-watch the episode to remember what happened. Which is bad enough considering that this whole series will require re-watching. Anyway, I’m curious what the final episode will bring.
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